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Edgell Rickword - Trench Poets
John Donne - Song - Go and Catch A Falling Star
Charles Dickens - The Chimes
John Donne - Break of Day
Henry Constable - To St Margaret
William Shakespeare - Sonnet 43
William Wordsworth - Lines Composed a Few Miles above Tintern Abbey, On Revisiting the Banks of the Wye during a Tour. July 13, 1798
William Shakespeare - Sonnet 81
Elizabeth Barrett Browning - Work
William Shakespeare - Sonnet 24
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ID 1: "Mine eye hath played the painter" (Level 1, language)
ID 2: "Mine eye hath played the painter" (Level 2, form)
ID 3: "Mine eye hath played the painter" (Level 2, context)
ID 4: "Mine eye hath played the painter" (Level 3, interpretation)
ID 5: "steeled" (Level 1, language)
ID 6: "steeled" (Level 1, textualvariants)
ID 7: "steeled" (Level 2, interpretation)
ID 8: "steeled" (Level 3, interpretation)
ID 9: "Thy beauty's form" (Level 1, language)
ID 10: "Thy beauty's form" (Level 2, context)
ID 11: "Thy beauty's form" (Level 3, interpretation)
ID 12: "in table of my heart" (Level 1, language)
ID 13: "in table of my heart" (Level 2, intertext)
ID 14: "in table of my heart" (Level 2, context)
ID 15: "in table of my heart" (Level 3, interpretation)
ID 16: "frame" (Level 1, language)
ID 17: "frame" (Level 2, interpretation)
ID 18: "perspective it is best painter's art" (Level 1, language)
ID 19: "perspective it is best painter's art" (Level 2, context)
ID 20: "perspective it is best painter's art" (Level 3, interpretation)
ID 21: "For through the painter must you see his skill" (Level 1, form)
ID 22: "true image" (Level 1, intratext)
ID 23: "true image" (Level 2, intertext)
ID 24: "For through the painter must you see his skill" (Level 2, interpretation)
ID 25: "true image" (Level 3, interpretation)
ID 26: "lies" (Level 1, form)
ID 27: "lies" (Level 2, interpretation)
ID 28: "my bosom's shop" (Level 1, language)
ID 29: "my bosom's shop" (Level 1, intertext)
ID 30: "still" (Level 1, language)
ID 31: "my bosom's shop" (Level 2, context)
ID 32: "still" (Level 2, interpretation)
ID 33: "my bosom's shop" (Level 3, interpretation)
ID 34: "what good turns eyes for eyes have done" (Level 1, language)
ID 35: "his windows glazed with thine eyes" (Level 1, language)
ID 36: "what good turns eyes for eyes have done" (Level 1, textualvariants)
ID 37: "his windows glazed with thine eyes" (Level 2, context)
ID 38: "what good turns eyes for eyes have done" (Level 2, intertext)
ID 39: "his windows glazed with thine eyes" (Level 3, interpretation)
ID 40: "what good turns eyes for eyes have done" (Level 3, interpretation)
ID 41: "Mine eyes have drawn thy shape" (Level 1, language)
ID 42: "thine for me Are windows to my breast" (Level 1, intratext)
ID 43: "Mine eyes have drawn thy shape" (Level 2, interpretation)
ID 44: "wherethrough the sun Delights to peep , to gaze therein…" (Level 1, context)
ID 45: "thine for me Are windows to my breast" (Level 2, interpretation)
ID 46: "wherethrough the sun Delights to peep , to gaze therein…" (Level 2, interpretation)
ID 47: "Yet " (Level 1, form)
ID 48: "Yet " (Level 2, interpretation)
ID 49: "eyes this cunning want" (Level 1, language)
ID 50: "eyes this cunning want" (Level 2, intratext)
ID 51: "They draw but what they see , know not the …" (Level 1, intertext)
ID 52: "They draw but what they see , know not the …" (Level 2, context)
ID 53: "They draw but what they see , know not the …" (Level 3, interpretation)
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Edgell Rickword - Trench Poets
John Donne - Song - Go and Catch A Falling Star
Charles Dickens - The Chimes
John Donne - Break of Day
Henry Constable - To St Margaret
William Shakespeare - Sonnet 43
William Wordsworth - Lines Composed a Few Miles above Tintern Abbey, On Revisiting the Banks of the Wye during a Tour. July 13, 1798
William Shakespeare - Sonnet 81
Elizabeth Barrett Browning - Work
William Shakespeare - Sonnet 24
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-- Select a segment--
-- Select an annotation--
ID 1: "Mine eye hath played the painter" (Level 1, language)
ID 2: "Mine eye hath played the painter" (Level 2, form)
ID 3: "Mine eye hath played the painter" (Level 2, context)
ID 4: "Mine eye hath played the painter" (Level 3, interpretation)
ID 5: "steeled" (Level 1, language)
ID 6: "steeled" (Level 1, textualvariants)
ID 7: "steeled" (Level 2, interpretation)
ID 8: "steeled" (Level 3, interpretation)
ID 9: "Thy beauty's form" (Level 1, language)
ID 10: "Thy beauty's form" (Level 2, context)
ID 11: "Thy beauty's form" (Level 3, interpretation)
ID 12: "in table of my heart" (Level 1, language)
ID 13: "in table of my heart" (Level 2, intertext)
ID 14: "in table of my heart" (Level 2, context)
ID 15: "in table of my heart" (Level 3, interpretation)
ID 16: "frame" (Level 1, language)
ID 17: "frame" (Level 2, interpretation)
ID 18: "perspective it is best painter's art" (Level 1, language)
ID 19: "perspective it is best painter's art" (Level 2, context)
ID 20: "perspective it is best painter's art" (Level 3, interpretation)
ID 21: "For through the painter must you see his skill" (Level 1, form)
ID 22: "true image" (Level 1, intratext)
ID 23: "true image" (Level 2, intertext)
ID 24: "For through the painter must you see his skill" (Level 2, interpretation)
ID 25: "true image" (Level 3, interpretation)
ID 26: "lies" (Level 1, form)
ID 27: "lies" (Level 2, interpretation)
ID 28: "my bosom's shop" (Level 1, language)
ID 29: "my bosom's shop" (Level 1, intertext)
ID 30: "still" (Level 1, language)
ID 31: "my bosom's shop" (Level 2, context)
ID 32: "still" (Level 2, interpretation)
ID 33: "my bosom's shop" (Level 3, interpretation)
ID 34: "what good turns eyes for eyes have done" (Level 1, language)
ID 35: "his windows glazed with thine eyes" (Level 1, language)
ID 36: "what good turns eyes for eyes have done" (Level 1, textualvariants)
ID 37: "his windows glazed with thine eyes" (Level 2, context)
ID 38: "what good turns eyes for eyes have done" (Level 2, intertext)
ID 39: "his windows glazed with thine eyes" (Level 3, interpretation)
ID 40: "what good turns eyes for eyes have done" (Level 3, interpretation)
ID 41: "Mine eyes have drawn thy shape" (Level 1, language)
ID 42: "thine for me Are windows to my breast" (Level 1, intratext)
ID 43: "Mine eyes have drawn thy shape" (Level 2, interpretation)
ID 44: "wherethrough the sun Delights to peep , to gaze therein…" (Level 1, context)
ID 45: "thine for me Are windows to my breast" (Level 2, interpretation)
ID 46: "wherethrough the sun Delights to peep , to gaze therein…" (Level 2, interpretation)
ID 47: "Yet " (Level 1, form)
ID 48: "Yet " (Level 2, interpretation)
ID 49: "eyes this cunning want" (Level 1, language)
ID 50: "eyes this cunning want" (Level 2, intratext)
ID 51: "They draw but what they see , know not the …" (Level 1, intertext)
ID 52: "They draw but what they see , know not the …" (Level 2, context)
ID 53: "They draw but what they see , know not the …" (Level 3, interpretation)
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Sonnet
24
William Shakespeare
Mine
eye
hath
played
the
painter
and
hath
steeled
Thy
beauty's
form
in
table
of
my
heart
;
My
body
is
the
frame
wherein
'tis
held
,
And
perspective
it
is
best
painter's
art
;
For
through
the
painter
must
you
see
his
skill
,
To
find
where
your
true
image
pictured
lies
,
Which
in
my
bosom's
shop
is
hanging
still
,
That
has
his
windows
glazed
with
thine
eyes
:
Now
see
what
good
turns
eyes
for
eyes
have
done
:
Mine
eyes
have
drawn
thy
shape
,
and
thine
for
me
Are
windows
to
my
breast
,
wherethrough
the
sun
Delights
to
peep
,
to
gaze
therein
on
thee
;
Yet
eyes
this
cunning
want
to
grace
their
art
:
They
draw
but
what
they
see
,
know
not
the
heart
.
